Signals

15 January - 14 March 2009


A signal can be a message from one person to another, through sound, language or light. Our environment is full of signs, of which we are both conscious and unconscious of. They surround us where ever we go; warn us, direct us, assure and inform us about what is happening around us. We can interpret signs without reflecting over them. They are part of our everyday, our means of communication in the world, whether in the city or in nature.

Visual art is a way of signalling. Contemporary applied art is a part of the visual culture and part of the tradition of form. Applied art in Finland lives on the boundaries between design and art and is living through a process of change.

The exhibition "Signals" features works by applied artists whose critical and independent choices in different disciplines communicate the direction of contemporary applied art in Finland today.

The initiative for the exhibition was taken by Artists O, an association founded in 2006 by Finnish professional artists working in the field of applied arts, part of The Finnish Association of Designers Ornamo. The Embassy of Finland in London is also supporting this project.

Kaija Poijula
Kaija Poijula

Kaija Poijula's installations are inspired by the verses of the Finnish poet Pentti Saarikoski: "I am not interested in the World and its places. I am interested in places and their Worlds." Her work discusses the themes of life and death, rites of passage, joy and sorrow; the human condition and rituals in our everyday lives. Morning dew, maiden snow, mist - quiet and beautiful moments that we notice only just when they are gone.

Saana Murtti
Saana Murtti

Saana Murtti explores and investigates the relationship of familiar objects to the human figure in her ceramic sculptures. She looks at multiplicity, variations and metamorphosis of these objects. They intentionally work as a metaphor for the human body; the shoe frequently appears in her work. It is like an ´outer skin´, in which the physical existence becomes visible.

Nina Nisonen
Nina Nisonen

Nina Nisonen's wool paintings are mainly figurative and concern themselves with the representation of a monkey-like figure which reflects the artist's feelings of anger, melancholy, playfulness or humour. The painterly wool hangings comprise of several layers of felted surfaces combined with gauzy linen.

Aino Kajaniemi
Aino Kajaniemi

Aino Kajaniemi weaves tapestries which are graphic like small line-drawings." I like drawing, black lines on white, white lines on black and the tones between them. - I like rough and smooth materials, disagreement and discussion between them."

Kristina Riska
Kristina Riska


Kristina Riska says of her work,"There always has to be a reason, an impulse, which makes you create a work of art. My own works are my inner images that I give form to." "Architecture means a lot to me. Also history and environment bring interesting views to art - especially how people leave their marks to them."

Kati Tuominen-Niittylä
Kati Tuominen-Niittylä

Kati Tuominen-Niittylä's work is about being in harmony with her materials: colour and form, quick almost sketchy movements, ceramic traditions exploring both the new and the timeles. Her vessels make a reference to the rural traditions of Finland and to ancient vessel forms yet clearly belong to a contemporary Western culture.

Tiia Matikainen
Tiia Matikainen

Tiia Matikainen, in her ceramic work, deals with organic forms and aesthetics of ugliness. "My work takes inspiration from forms such as a cauliflower or wrinkles of the human body. In my forms you can see a sample of the microscopic world, vegetation, a tumour, landscape, rocks or cloud formations".

Renáta Jakowleff
Renáta Jakowleff

Renáta Jakowleff is fascinated by the alchemy of glass, her material. As glass cools down, its plasticity is irreversibly consigned to history. The kinetic properties of the liquid phase disappear and, often, only someone familiar with the glassmaking process would be able to infer the previous lively motion from the shape or structure of the set glass objects. "My ideas evolve through thinking about how hot glass behaves. I try to imagine how glass would react and signal in a given situation, to put myself in its place, or to imagine how a situation should be altered so as to get the glass to behave in a different manner".