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£390.00
These pieces are wheel thrown in different combinations of dark and light stoneware. I play with a palette of dolomite and transparent glazes. Each piece undergoes a further firing to be lightly gilded with gold lustre.
I come to ceramics from a background in painting, so that the body and form of clay is another surface for making marks and cultivating textures. Unlike a painting, a pot has no front or back, but one can reach inside it, respond to the human impulse to touch and handle it.
By Abigail Schama
Materials: Reclaimed studio stoneware clay
Approx dimensions: ø;10 x H;17
Techniques: Thrown
Care: Gentle hand wash.
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These pieces are wheel thrown in different combinations of dark and light stoneware. I play with a palette of dolomite and transparent glazes. Each piece undergoes a further firing to be lightly gilded with gold lustre.
I come to ceramics from a background in painting, so that the body and form of clay is another surface for making marks and cultivating textures. Unlike a painting, a pot has no front or back, but one can reach inside it, respond to the human impulse to touch and handle it.
By Abigail Schama
Materials: Reclaimed studio stoneware clay
Approx dimensions: ø;10 x H;17
Techniques: Thrown
Care: Gentle hand wash.
These pieces are wheel thrown in different combinations of dark and light stoneware. I play with a palette of dolomite and transparent glazes. Each piece undergoes a further firing to be lightly gilded with gold lustre.
I come to ceramics from a background in painting, so that the body and form of clay is another surface for making marks and cultivating textures. Unlike a painting, a pot has no front or back, but one can reach inside it, respond to the human impulse to touch and handle it.